Download e-book for iPad: Debussy in Proportion: A Musical Analysis by Roy Howat

By Roy Howat

ISBN-10: 0521311454

ISBN-13: 9780521311458

This is often the 1st paperback version of Roy Howat's stimulating and provocative learn of Debussy's unorthodox use of musical shape. Throught designated analyses of the piano items Reflets dans l'eau and L'isle joyeuse and the symphonic poem l. a. mer, Dr Howat exhibits how the items are equipped accurately and intricately round the ratios of Golden part and bisection in order that the song is organised in quite a few geometrical styles which give a contribution considerably to its expansive and dramatic effect. the ultimate bankruptcy strains proof of even if the proportional platforms have been designed consciously, and if this is the case, the place and why Debussy may need learnt such innovations. The proof comprises his involvement within the Symbolist flow and in esotericism.

Show description

By Roy Howat

ISBN-10: 0521311454

ISBN-13: 9780521311458

This is often the 1st paperback version of Roy Howat's stimulating and provocative learn of Debussy's unorthodox use of musical shape. Throught designated analyses of the piano items Reflets dans l'eau and L'isle joyeuse and the symphonic poem l. a. mer, Dr Howat exhibits how the items are equipped accurately and intricately round the ratios of Golden part and bisection in order that the song is organised in quite a few geometrical styles which give a contribution considerably to its expansive and dramatic effect. the ultimate bankruptcy strains proof of even if the proportional platforms have been designed consciously, and if this is the case, the place and why Debussy may need learnt such innovations. The proof comprises his involvement within the Symbolist flow and in esotericism.

Show description

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Additional resources for Debussy in Proportion: A Musical Analysis

Example text

At its most basic, the term implies traditional music that has existed in a community for generations and is frequently performed by people in that community (a music of the people). When the term folk music is used in the case of someone like Bob Dylan, we are actually talking about the American folk-revival moment that began in the 1930s and reached its height of popularity in the 1960s. During the late 1950s and early 1960s, the folk-revival scene was booming in Greenwich Village, and clubs like Gerde’s Folk City (where Dylan played his first professional gig), the Village Gate, and the Gaslight Coffee House drew crowds interested in listening that mingled with the performers.

Disillusion, and III. Würm. The guide below represents the major structural ideas of each section. listening guide 0:00 | Life Seeker It begins with a powerful series of notes that come back over and over again during the next 3 minutes. In fact, listen to how the band evolves the entire form of this section by moving the music through a number of small ideas: the opening notes, the vocal melody (0:15), mellow vibes (0:36), and a bridge (1:51). Each of these ideas is used several times to create the whole section.

Nd listic arty started in San ocal ukonen y were ow d the at uring ional d of ng nd poets/ ouac, entral 2/14 3:04 PM 2/14 3:04 PM b-We Rock 60 Page: 36 SONG FACTS: “White Rabbit” (1967) Written by Grace slick Released on RcA Records, June 1967 The lyrics of the song are based on surrealistic images from Lewis Carroll’s Alice in Wonderland books. There are many ways to interpret the dreamlike nature of the words. One way is to hear it as a straight reworking of the characters and images of the original books (a great way to listen with younger family members).

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Debussy in Proportion: A Musical Analysis by Roy Howat


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