Deadheads: Stories from Fellow Artists, Friends, and by Linda Kelly PDF

By Linda Kelly

ISBN-10: 0806516879

ISBN-13: 9780806516875

For thankful useless lovers, part the thrill is the song. the opposite part is the thoughts they've got of being a part of the "long unusual trip" that's the Dead's touring street convey. jam-packed with memories of colourful characters surrounding the thankful Dead--musicians, artists, teenagers, photographers, chefs, street team, and the crowd itself--Deadheads is a college of stories, courting from 1965 to the current. of pictures.

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By Linda Kelly

ISBN-10: 0806516879

ISBN-13: 9780806516875

For thankful useless lovers, part the thrill is the song. the opposite part is the thoughts they've got of being a part of the "long unusual trip" that's the Dead's touring street convey. jam-packed with memories of colourful characters surrounding the thankful Dead--musicians, artists, teenagers, photographers, chefs, street team, and the crowd itself--Deadheads is a college of stories, courting from 1965 to the current. of pictures.

Show description

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Extra resources for Deadheads: Stories from Fellow Artists, Friends, and Followers of the Grateful Dead

Example text

Upon moving to Hollywood in 1941 he registered with the local musicians’ union and, as a lark, listed the Theremin as one of his instruments. As he recalled later: When Miklós Rózsa thought of using a Theremin in his score for Spellbound he called the union to see if any Theremin players were available. I was the only one listed at that time who could read music. He came out to see me with a sketch of the part he wanted to write and was delighted when he discovered I could sight-read it. 36 This stroke of luck led to a long association of the Theremin with motion pictures, primarily through the inspired “spooky noises” that Hoffman was so masterful at creating.

Has constructed a comprehensive apparatus which makes it possible to transform an electric current into a fixed and mathematically exact number of vibrations. 10 ELECTRONIC MUSIC BEFORE 1945 In that brief passage, Busoni revealed an understanding of the physics behind sound production and the way that the Telharmonium worked. His innate curiosity about technical matters is a trait seen in many musicians interested in electronic music. Busoni had an immediate grasp of the special relationship between inventors and musicians, stating “I almost think that in the new great music, machines will be necessary and will be assigned a share in it.

The instrument remained a quaint novelty at music recitals throughout the 1930s. Composers who wrote for the instrument barely explored its breadth of sound capabilities. The Theremin repertoire was quickly filled with trivial and programmatic solo parts, any of which could have been played as easily on a violin or cello. The instrument was difficult to play with precision and consistency and required much practice. One had to literally learn to pluck a series of notes out of thin air with great accuracy.

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Deadheads: Stories from Fellow Artists, Friends, and Followers of the Grateful Dead by Linda Kelly


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