By Georg Büchner
This selection of Büchner's 3 theatrical works contains Danton's Death, his nice play in regards to the French Revolution, Leonce and Lena, his "black" romantic comedy and Woyzeck, the incomplete paintings on which Alban Berg established his well-known opera. All 3 works remained nearly unknown for part a century yet at the present time have discovered a big position within the glossy repertory.
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Additional resources for Danton's Death, Leonce and Lena, Woyzeck (Oxford World's Classics)
Those determinations refer to the textual production of ‘reader’ as a certain subject position and a variety of responses to ‘the same text’ constructed by social practices of viewers. (Ibid. ) They also bring into focus John Ellis’ listing of the number of levels of ideological determinations presented in his study on Ealing films (1975). Instead of thinking that the professional ideologies have their origin in individual activity based on the socioeconomic status of filmmakers, Bennett and Woollacott suggest something totally opposite.
Consumption and production can thus be seen as analytically specific and relatively autonomous sides of communication, which are then articulated together in this process of communication (ibid. 257-259). Hall precisely replaces the term determination with the term double-articulation: “the structure, the given conditions of existence, the structure of determination in any situation, can also be understood, from another point of view, as a simply result of previous practices have produced as a result” (1996, 15).
How the matters in question are expressed in speech rhetoric and literary forms) are intertextual by nature. When using the terms of the intertextual and extratextual dependency of discourses this study stresses, for instance, the realism qualifications emerging both from inside and outside the actual television production and artistic work that nonetheless is adhered to articulations of ‘television aesthetics’15. I adopt a broad concept of television aesthetics, which highlights the importance of considering ‘aesthetic’ qualifications, such as questions of realism, as articulations of different discourses including not only internal or artistic, but also external, and non-artistic criteria, of evaluations that could nevertheless be overlapping.
Danton's Death, Leonce and Lena, Woyzeck (Oxford World's Classics) by Georg Büchner