Download PDF by Nancy B. Reich: Clara Schumann: The Artist and the Woman (Revised Edition)

By Nancy B. Reich

ISBN-10: 0801437407

ISBN-13: 9780801437403

This biography areas the wedding and celebrated friendship of Clara Schumann and Brahms in point of view one of several different components in Clara's existence. The textual content seeks to get well, not only the occasions within the lifestyles, yet its significant issues, hobbies and connecting threads.

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By Nancy B. Reich

ISBN-10: 0801437407

ISBN-13: 9780801437403

This biography areas the wedding and celebrated friendship of Clara Schumann and Brahms in point of view one of several different components in Clara's existence. The textual content seeks to get well, not only the occasions within the lifestyles, yet its significant issues, hobbies and connecting threads.

Show description

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Additional info for Clara Schumann: The Artist and the Woman (Revised Edition)

Sample text

Since she was the skilled pianist in the family, she taught the advanced students. Between household tasks and concert engagements (she was the first of Wieck’s students to perform at the Gewandhaus)17 she gave birth to five children. The first, Adelheid, was born in 1817, a few months after Marianne’s first Gewandhaus appearance. Her second child, Clara, was born September 13, 1819, some sixteen months after the death of Adelheid in Plauen. Marianne continued her career after Clara’s birth, and on October 18, 1821, appeared with the Gewandhaus Orchestra, this time as a pianist, playing Ferdinand Ries’s Concerto in E-flat.

The move to Berlin further limited Marianne’s contact with Clara and her two sons. In December 1825 Clara suffered another blow. Johanna Strobel, the nursemaid who had been with the family since before Clara’s birth, was dismissed and a new housekeeper installed. Thus within a year the five-year-old girl lost the two women to whom she was closest. Both were fre*The letter reproduced in Litzmann, 1:3–4, is identical to Marianne’s note in RSH (5966-A2) except for one phrase (italicized here), which for some unknown reason was omitted.

Only when Clara left home at the age of nineteen did the diary finally become her own. The last notebook, begun on April 20, 1838, accompanied her to Paris on her first independent tour and ended the day after her marriage—September 13, 1840, her twenty-first birthday. Wieck retained possession of all her other childhood diaries until March 1859, when he finally handed them over to her. By the time he was able to part with this record of her early years, she was a forty-year-old widow with seven children.

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Clara Schumann: The Artist and the Woman (Revised Edition) by Nancy B. Reich

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