By Ann Lane Hedlund
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Additional info for Beyond the loom: keys to understanding early Southwestern weaving
He did graduate work under Emil Haury and Edward H. A. D. (1953). Among other things, both universities emphasized the skills and tools required to make systematic analyses of artifacts. Wheat's major archaeological research, such as his projects at the prehistoric Jurgens, Olsen-Chubbuck, and Yellow Jacket sites, repeatedly points out the relevance of artifact studies in archaeology and, more generally, in anthropology. Wheat arrived at the University of Colorado Museum (UCM) in 1953 as Curator of Anthropology, and retired as Curator Emeritus in 1986.
David Wenger. Without Wenger's generous help, following the precedent set by Max Page xii Saltzman, the research could not have moved forward as it did. Conservator Jeanne Brako's involvement in a conservation survey of the textile collection was a crucial element in establishing the physical requirements for each piece in the exhibit and in deciding the manner in which textiles would be mounted and displayed. The survey was made possible through a grant from the National Endowment for the Arts.
Styles. Differences in design and style have long been noted as important factors in identifying southwestern textiles. Due to the large sample size of visual images compiled by Wheat, finer distinctions in the treatment of woven patterns by Pueblo, Navajo, and Hispanic weavers were recognized. Specific motifs, such as crosses, terraced diamonds, or eight-pointed stars, often are linked with certain regions and time periods. For example, Saltillo-influenced serrate designs generally are not found in Navajo weaving prior to the Bosque Redondo internment in 1863.
Beyond the loom: keys to understanding early Southwestern weaving by Ann Lane Hedlund