By Lewis Foreman Day
This can be a iteration Of the unique 1910 variation.
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Additional resources for Alphabets old and new
First as to the Lombardic character, which vailed in Italy from the 8th to the It was not, as its nth pre- century. name might be taken to imply, They were just the invention of the Lombards. long-bearded conquerors, and invented nothing. The character was not even confined to Northern Art Italy only ; it in the Alphabet. " It has already been explained how uncial writing was transitional between square "caps" and rounder pen-forms. The Lombardic shows a and so came all later Latin writing (after the to be called " The penman had not mind between straight lines further stage of transition.
L. F. D. L. F. D. — Designed France for book-work. An by Grasset, and used English version is in in use for advertisements, etc. 190. MODERN VERSION OF EARLY GOTHIC CAPITALS engraving on metal. — Adapted for L. F. D. — 191. modern capitals 192. modern variation upon roman capitals — Blunt work. L. F. D. ) 193. MODERN VERSION OF EARLY SPANISH LETTERS— Adapted Twisted, blunt brushwork. Could easily be worked in "couched" cord. L. F. D. ) cutting with a single plough of the graver. 194. modern capitals, shaped with brush- for L.
210. and proportion. 211. (Compare L. F. D. ) — Suggestive MODERN ROMAN CAPITALS AND NUMERALS rather of the chisel than of the pen. Cromar Watt, J. architect. 212. modern roman capitals and lower case — Rather removed from orthodoxy than the 213. modern W. Pearce. & Griffin 214. — Based block " capitals " J. From last. chiefly Roman. C. , Ltd. " serif, J. 215. modern capitals — Inspired by Gothic. 216. " modern roman From further W. Weekes. J. Roman majuscule and W. Weekes. W. J. capitals. " Pearce.
Alphabets old and new by Lewis Foreman Day