By Wittmann Heiner
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Additional resources for Aesthetics in Sartre and Camus. The Challenge of Freedom (Dialoghi Dialogues: Literatur Und Kultur Italiens Und Frankreichs)
Jaspers, General Psychopathology. Vol. I, p. 432. , p. 1. , p. 433. 1^ Cf. A. Cohen-Solal, Sartre, p. -S. names E. Levinas, Theorie de I'intuition dans la phenomenologie de Husserl, (Paris : Alcan 1930. ) 16 Cf. K. Jaspers, General Psychopathology. Vol. I, p. 19. 1 1 Cf. ditto, Psychopathologie generate, p. 572. 12 44 lack of consensus, for example with one's own times, calling it an "objective neurosis". I8 He calls Freud's psychology an "empirical psychology": one that wishes to describe human reality by assuming that man defines himself through his desires.
Dialectics and hermeneutics Sartre's criticism of dialectics2 addresses the manner in which it oversimplifies reality. According to the accusation voiced in the Notebooks for an Ethics, this is particularly the case when the antithesis in its negativity is no longer congruent with the thesis and so due to its ambivalence can no longer produce a synthesis. 3 Later he attempts to put forward his own explanation of dialectics in the Critique of Dialectical Reason. After 1960, however, he ceased working on dialectics, as the second volume, which has meanwhile appeared (1985) proves.
On the whole Sartre uses biographical facts when trying to analyse, as in the Flaubert study, how the person in question overcame certain situations in life by means of his artistic activity. The biographical data is part of the construction that targets a particular result. The result is actually formulated before searching for the evidence. 33 The temptation to use the "L'homme et l'ceuvre" method is there again and again, for every work poses questions about life. But Sartre corrects the meaning of this approach.
Aesthetics in Sartre and Camus. The Challenge of Freedom (Dialoghi Dialogues: Literatur Und Kultur Italiens Und Frankreichs) by Wittmann Heiner