By Edmund Burke
An eloquent and occasionally even erotic e-book, the Philosophical Enquiry used to be lengthy pushed aside as a bit of mere juvenilia. although, Burke's research of the connection among emotion, attractiveness, and paintings shape is now well-known as not just an enormous and influential paintings of aesthetic conception, but in addition one of many first significant works in ecu literature at the chic, a subject matter that has interested thinkers from Kant and Coleridge to the philosophers and critics of this day. "I'm gratified you are. preserving Burke's textual content at the elegant to be had in a cheap version. thank you back for maintaining it e. learn more... Acknowledgements; advent; notice at the textual content; pick out Bibliography; A Chronology of Edmund Burke; BURKE'S Enquiry; THE PREFACE TO the 1st version; THE PREFACE TO the second one version; advent. On style; THE CONTENTS; Explanatory Notes
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Extra info for A philosophical enquiry into the origin of our ideas of the sublime and beautiful
This agreement of mankind is not confined to the Taste solely. The principle of pleasure derived from sight is the same in all. Light is more pleasing than darkness. Summer, when the earth is clad in green, when the heavens are serene and bright, is more agreeable than winter, when every thing makes a different appearance. I never remember that any thing beautiful, whether a man, a beast, a bird, or a plant, was ever shewn, though it were to an hundred people, that they did not 'all immediately agree that it was beautiful, though some might have thought that it fell short of their expectation, or that other things were still finer.
And it is upon this principle, that the most ignorant and barbarous nations have frequently excelled in similitudes, comparisons, metaphors, and allegories, who have been weak and backward in distinguishing and sorting their ideas. And it is for a reason of this kind that Homer and the oriental writers, though very fond of similitudes, and though they often strike out such as are truly admirable, they seldom take care to have them exact; that is, they are taken with the general resemblance, they paint it strongly, and they take no notice of the difference which may be found between the things compared.
And my point in this enquiry is to find whether there are any principles, on which the imagination is affected, so common to all, so grounded and certain, as to supply the means of reasoning satisfactorily about them. And such principles of Taste, I fancy there are; however paradoxical it may seem to those, who on a superficial view imagine, that there is so great a diversity of Tastes both in kind and degree, that nothing can be more indeterminate. All the natural powers in man, which I know, that are conversant about external objects, are the Senses; the Imagination; and the Judgment.
A philosophical enquiry into the origin of our ideas of the sublime and beautiful by Edmund Burke